Anna Karenina (Tolstoi)

topic posted Fri, May 22, 2009 - 9:38 AM by  Canela, too ...
Share/Save/Bookmark
Advertisement
Tonight I sat down at the large communal table at Segafredo with a glass of wine and a book. While leafing through "Grandmother's secrets- ancient rituals and healing power of belly dancing" to find the place I left off earlier this evening, I noticed the face of a very young man sitting on the opposite side of the table. He looked not much older than maybe 19 years of age, his lips were flushed red, the skin of his face was translucent and slightly pale and his eyes were looking into the distance, lost in thought. I could see some anguish on his sensitive face, like he was stricken with passion and a feeling of surprise at something unexpected that moved his heart . He was wearing glasses and was looking serious and quite intelligent. After a while he opened the book again that he was holding in his hand and read some more. Then, after a couple of pages, he closed it again as though he could not bear reading more of it at a time, and his eyes were looking into the distance again, filled with longing, pain and sadness. I glanced at the title written on the back of his book, in Japanese letters- it was "Anna Karenina". Oh dear, I thought, was I sitting opposite a modern day young version of Vronsky? Was some Karenin stopping his Anna from coming to meet him in this coffee shop and he was trying to find out more about this situation through this book? Or was he a Russian literature major in some university?
After unobtrusively observing him for a while, feeling sympathy for him and his plight, I returned to my book. Here I was, feeling like a "woman of the world" and wishing this young man would have the courage to ask me for advice. Maybe he had deeply fallen in love for the first time?
It has been a long time I have seen any youngster in Japan looking this moved by a book, or any kind of emotion.
I read on, about the power of pelvic movements, ancient rituals, the power of woman, the joy of being lost in a dance purely for the joy of one's own soul, a dance which had become corrupted by churches, goverments, societies over the centuries of time into a much shallower form of entertainment. Women brought under the control of men, forbidden to dance, or only allowed to move if their dance could be owned by some man who decided to watch them...
And meanwhile, the young man would time and again, take in a few more pages of this Russian classic that was causing him so much pain, or maybe was mirroring for him what he was feeling. And Anna never came. He sadly finished his coffee, looked nervously at his watch, and finally put his book back into the paper bag that bore the name of the bookstore where he had just acquired this treasure and left...
Advertisement
Advertisement
  • B-b
    B-b
    offline 7

    Re: Anna Karenina (Tolstoi)

    Fri, May 22, 2009 - 1:23 PM
    That's a pretty good short story. I wonder what reading it in Japanese would be like?
    Ever study Russian? You're description of this person is somewhat erotic, did you intend that?

    What is illuminating about you is that in your reflections you sublimated the outer reality
    into the novel. Now, Tolstoy is no doubt an excellent, highly emotionally effusive writer,
    having a different feeling to him than the short story writing of Chekov or the weird stylings
    of Dostoevsky. Russia writers can naturally become this way, it goes to their history.

    I do remember though what it was like to be that age and somewhat intelligent and reading the classics.
    I preferred to immerse myself in Kafka, Borges, Burroughs, stuff like that. That's why I liked Dostoevsky.

    Very nicely written.

    Now, to bracketing story of womanhood's dancing, whether men indeed want at all to control women,
    or even espy them dancing, is a very good question. But within the realm of this fantasy, it appears that
    you have placed this young man within this fantasy of yours of women's oppressed dancing. Now I
    agree there are many societies where the harsh patriarchal rule excludes the art of dancing, like some
    more fundamentalist islmaic factions. But the Sufis adore dancing. And men dance too.

    What is it that holds our reality to this world of flesh, this template of man and woman, this everpresent
    search for tenderness, closeness, proximity, intimacy, death, birth and death again? Is it love, the desire
    for renewal, the desire to do the same thing over and over again, or some implicit idea that eventually
    we will vastly improve the social order, free ourselves, and get off this tiny planet?

    Once again, nicely written. Are the poetry tribes still virtually dead?
    • Re: Anna Karenina (Tolstoi)

      Fri, May 22, 2009 - 4:28 PM
      I have no idea what reading Tolstoi in Japanese would be like, I guess, it very much depends on the reader. This young man was Japanese, I live in Tokyo.

      "You're description of this person is somewhat erotic, did you intend that?"

      This is a very strange question and I don't know how to answer that. For one thing, the eroticism is very much in the eyes of the beholder, and if it is indeed so, being "erotic" is something that just happens, intended eroticism hardly ever works, at least not for women who are generally much more sensitive and subtle in their perception of it.
      But yes, I thought he was cute, and seeing him like this was touching, if that's what you mean.

      "whether men indeed want at all to control women,
      or even espy them dancing, is a very good question. But within the realm of this fantasy, it appears that
      you have placed this young man within this fantasy of yours of women's oppressed dancing. Now I
      agree there are many societies where the harsh patriarchal rule excludes the art of dancing, like some
      more fundamentalist islmaic factions. But the Sufis adore dancing. And men dance too."

      In this paragraph you truly and obviously do not have a clue what you are talking about and it might be wiser to just leave it at that but if you must know, this is by no means "my fantasy" but a sad fact of history. Moreover, Arabic countries are exactly those, where dancing is practised by the women for the sheer joy of it, but among themselves, away from the eyes of men. A tribe member from Bahrain (on the Arabian Peninsula, next to the UAE) wrote me so himself. The women have the wildest parties, bellydancing, laughing, kids hopping around amongst them, just like described in the book mentioned above, and my friend regretted no longer being allowed to join them, now that he is no longer a little boy.
      It is actually the secular, comparatively modern state of Turkey where bellydancing is not part of a wedding celebration but rather banned to the night clubs and cabarets only. But still, even little girls sometimes know how to bellydance there. And yes, Saudi Arabia and I think, Iran too, has banned dancing but who can control women who practise it at their own gatherings?

      And how I relate that book in my mind to the story of Anna Karenina you not understood at all. ; )



      • Re: Anna Karenina (Tolstoi)

        Fri, May 22, 2009 - 4:43 PM
        And yes, it may well be that the poetry tribes are bad. I joined one or two of them a couple of years ago and never ever got any postings from there. I once sent an invite to a woman who wanted to start a tribe or meetings for the creation and reading of feminist poetry in PDX and her reply came in the form of a lament, how she could not get anyone to do anything regarding the creation of poetry.

        The only poetry tribe that I am aware of that is not really dead is my own, Arabian love poems. But there too, members are very quiet and passive, even though a number of them are still active elsewhere on tribe.
        • Re: Anna Karenina (Tolstoi)

          Fri, May 22, 2009 - 4:44 PM
          argh, "it may well be that the poetry tribes are bad", I meant, "are dead".
          • B-b
            B-b
            offline 7

            Re: Anna Karenina (Tolstoi)

            Fri, May 22, 2009 - 8:06 PM
            Where else would you like to take the thread?

            Perhaps you could reflect more on your reading of Tolstoy.

            I only read half of that book, and had some deja vu that she was going
            to die under a train as someone else did halfway through, that it was foreshadowing.

            I think I liked Chekov more. Read a lot of him. How about you?

            Which other Russian authors do you like? I recently picked up a volume by Turgenev,
            and there are some rather formidable modern authors to read, novelists and poets alike.

            Solzenitsyn I never got to. Aasimov has Russian roots, but never got to him either.

            I agree that men and women don't typically understand one another. Story as old as time.

            That's why I prefer my asexual squid body (just kidding.)
            • Re: Anna Karenina (Tolstoi)

              Fri, May 22, 2009 - 8:44 PM
              I cannot really reflect on "my reading of Tolstoy" as I have never really read Anna Karenina myself. I have read the first 2 chapters online and watched the movie and read several summaries. It was not me who has read Anna Karenina, it was him. I was reading "Grandmother's secrets" and still am.
              You seem to be under the mistaken notion that the above description is artistic fiction. ; ) I simply came home from that cafe last night and described what I saw.
              For me personally, most Russian authors would be too depressing. I loved Evgeny Onegin by Pushkin though. Especially the movie with and by Ralph Fiennes but the poetry is brilliant.
              Asimov seems to be interesting, we had a series in the Japan Times by him, but that is a different genre altogether and I never read science fictiion.
              Yes, Anna Karenina finally threw herself in front of a train, and I felt sorry for the young, sensitive reader, knowing he would come to that place in the book eventually.
              Reading about the healing power of bellydancing is a lot more fun. ; )
              • Re: Anna Karenina (Tolstoi)

                Sun, May 24, 2009 - 2:11 PM
                As Anna Karenina is also a tale about cities as metaphors, progressive St Peterburg and traditional Moscow, it is interesting that you, like Anna, were writing this in another city, a city I presume that is not your home. Layers to peel--perhaps not intended. It is a beautiful novel of tradional conventions of marriage versus passionate love--Anna caught between the two. Tolsoy was really quite modern in his depiction of Anna as one who has no choice in the end, only a train to end the struggle. You really must read it. One of those novels one doesn't want to end.

Recent topics in "I just finished reading..."